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Despite cheesy keyboards and baffling lyrics about a “tobacco road sexy virgin” (which might only shock an English speaker, it likely left Japanese listeners unfazed. Take the second track here, SAS take on 70s R&B. It’s the secret to Tiny Bubbles’ and the group’s continued success, the ability to push J-Pop into stranger places all while sounding completely normal. The key is that, for all the costume changes, Southern All Stars sound consistently good the entire time. Transforming them into maybe the greatest J-Pop group ever, though, is a surprise. It wouldn’t be shocking to see such an all-over the place album top the charts or even result in the band responsible having a respectable career. It can be a confusing listen, and that’s coming from the year 2010 when this sort of genre ho-scotch should feel way less weird. Tiny Bubbles may not be a crazy piece of experimental art, but SAS jump from balladry to reggae-tinged to outright Broadway musical.
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As the cat-centric art indicates, this six-piece weren’t afraid to indulge in a joke or two to the point of actually being labeled a “novelty act” earlier in their career (there decision to do interviews dressed in ridiculous costumes didn’t help to deflect this claim). Which is kind of surprising considering just how weird Southern All Stars sound on their third album. It’s a monster of a resume, and it was this album that marked the beginning of a dynasty. HMV named them the most influential Japanese act ever. They’ve had more than 40 singles land on the top-selling list and haven’t relented in three decades. Tiny Bubbles went straight to the top of the Oricon…as did 15 subsequent full-lengths. Despite a few brushes with chart-topping success a few years before this 1980 LP, this album marked the beginning of one of the most stunning success stories the country has ever seen. Tiny Bubbles captures Southern All Stars at the moment right before they became one of the most famed and influential Japanese acts ever. The first installment will focus on an album that turned a group of J-Pop rising stars into a household name for three decade, Southern All Stars Tiny Bubbles. In this new infrequent feature, I’ll write about older Japanese albums I’ve come across whether through finding them lodged underneath my bed, on sale for 100 Yen at a local swap meet or discarded in the forest (this actually just happened to me).
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With a recently purchased turntable in my possession, I decided to listen to as many as these records as I could, famous and forgotten alike. It also boasted a lot of Japanese artists, ranging from ones I’d heard of to LPs that appeared total casualties of time. Mostly featuring albums dating from the 70’s and early 80’s, this pile featured classic albums by The Ramones, Bruce Springsteen and virtually every album Status Quo ever recorded. While sifting through old school supplies and broken fans, I found a stack of 60-some old vinyl records hidden underneath an old futon. One day, on a whim, I decided to clean out my cluttered closet for the first time in over a year.